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In the film, Director
Eisenstein uses his theories on editing in an attempt to fool with the audience’s
emotions and cause for viewers to feel sympathy towards the soldiers who rebel
against their leaders. He had a lot of success with the film overseas, although
the reviews were originally mixed in the United States. However, over time,
audiences have grown fonder of the film. The way the director portrayed the
evilness of the regime and the pain behind the victims made it one of the first
of its kind in propaganda filming.
The most influential and popular scene of the movie comes
when the evil soldiers are shown marching down the Odessa Steps. It is here
that the gruesome massacre of innocent civilians takes place in what can be
considered a controversial scene. Director
Eisenstein created the scene in his mind and it was not based on any reality. As in today’s movies, most of the film is
based on actual events with some fiction written in to keep the audience
interested. In this scene, many victims
are shown being shot and executed including an elder woman, a school girl and a
young boy with his mother. As if these slayings wouldn’t affect an audience
enough, Director Eisenstein ends the scene showing a mother being shot to death
as her baby’s carriage quickly begins rolling down the steps. The baby is shown
crying as the carriage begins picking up speed with the massacre being shown in
the background. In this gory montage, the director shows the carelessness of
authority and makes the audience feel terrible for the victims as not even an
innocent baby would be saved. At the time that this film was made, these scenes
were some of the most controversial in the movie. This is one of the first films made using
this technique.
This film makes me think about all the gruesome war style
movies today that intrigue audiences so much around the world. Examples are
movies such as Pearl Harbor, The Patriot and Saving Private Ryan.
Obviously these films are much more advanced in technology and contain great
storytelling behind the gory war depictions. However, Director Eisenstein
depicting the innocent people being shot dead and the mother yelling out to her
child with a bloody and beaten face were the first war scenes an audience ever viewed.
When I think of it in that perspective, it is pretty amazing all the editing
and make up that went into trying to make the audience feel the devastation
behind the actual 1905 massacre. This editing, once again one of the first
films to use this technique, contributes to the classic movie classification of
The Battleship Potemkin.
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